Finally. I know you have been waiting: My first installment of new music recommendations for 2009. In short, it’s been a pretty good start.
Cotton Jones – Paranoid Cocoon
After some success with former band Page France, Michael Nau decided to go solo to slow things down a bit. His offerings with Cotton Jones have a simple, folky psychedelia that seems to be so palatable these days. I was trying to describe this band to one of my friends, and the first thing that came to mind was, think: Devendra Banhart without all the quirky vocal meanderings. Essientally, Devendra Banhart lite. But then enter Whitney McGraw, the perfect sweet voice to counter Nau’s low and breathy croon. Think 60-70’s pop here; complete with melodic “whoa’s” and “oh’s”, some funky or acoustic guitar, shaking bells, and whistling. This album was a great out-of-no-where surprise for me. Check out the track “Gotta Cheer Up“, recently getting the single treatment on NPR and college radio.
The Pains of Being Pure At Heart – S/T
I will be frank. You have heard this before. In the 60’s & 70’s with The Velvet Underground, and again, probably more so, in the 80’s with My Bloody Valentine. There have been so many bands that TRIED to recreate the magic of these influential bands, but ultimately fail and fade into obscurity. We have heard these sounds and chord progressions before, but damned if they aren’t done perfectly, and properly pay homage as well as adding their own personality. With drenched guitars, driving percussion, and understated vocals, you will feel like you’re wearing your members only jacket while driving your Nissan Bluebird to jazzercize. Listen to their catchy tune “Young Adult Friction” here.
Bon Iver – Blood Bank EP
Four new songs from some outtakes of his album For Emma, Forever Ago, the new EP covers mostly the same ground, but adding some electric guitar and vocoder to the mix. A lot of people loath the latter, but it actually works on the EP closer “Woods”, a haunting song about seclusion and needing a break from it all. The most important and impressive track is “Blood Bank“, a musically simple song that focuses on the melody and the message (sound familiar?). When “Beach Baby” comes in with the traditional Hawaiian steel guitar solo, you can’t help but squeeze out a wry smirk. Vernon took some chances with these songs, but they pay off, and that’s what keeps me anticipating a new LP.
More to come when I get another couple minutes!